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DTSTART;TZID=UTC:20210929T203000
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DTSTAMP:20260828T224001
CREATED:20210818T062631Z
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UID:17844-1632947400-1632947400@www.loftkoeln.de
SUMMARY:WISSEL&LYTTON -science friction of flow- // live recording
DESCRIPTION:Paul Lytton – table top Percussion\, bits and pieces\nGeorg Wissel – Saxophone & Präparationen\n \n\n\nDas Konzert wird vor Publikum stattfinden\, weitere Informationen zu Konzerten während der Corona-Pandemie finden Sie hier\, Informationen zu den Preisen\, Karten-Reservierungen und den Öffnungszeiten hier.\nDer Konzertbesuch ist grundsätzlich auch ohne vorherige Anmeldung / Reservierung möglich\, Kartenreservierungen helfen uns jeoch bei der Planung der Bestuhlung.\nIhre Zusammenarbeit im Duo begannen WISSEL&LYTTON in 2006\, nachdem sie sich bereits zuvor in verschiedenen Großformationen kennen und schätzen gelernt haben.\nWissel nutzt neben erweiterten Spieltechniken verschiedenste Utensilien zur Präparation seiner Instrumente\, während Lytton seinen Fundus sorgsamst ausgesuchter Klangerzeuger aus Haushalt und Percussion auf seinem ‚Tisch‘ arrangiert und zum Leben erweckt.\nSo hat WISSEL&LYTTON’s Set‐Up durchaus den Charakter einer akustischen Werkstatt.\nDas Duo spielt ohne vorbestimmte Konzepte oder Absprachen.\nDie Zuhörer werden gleichberechtigte Zeugen eines assoziativen künstlerischen Prozesses\, in dessen Verlauf mit ebenso großer Lust am Klang\, als auch Sensibilität eine ausdifferenzierte Geräusch‐Klang‐Kunst‐Musik geschaffen wird. \n„Wissel’s and Lytton’s set in belgrade was pretty mental. It’s amazing they keep their faces straight while playing such dense\, absurdist music. Free improv that makes any sound\, no matter how random\, become part of their set? Yes please!“\nMeho Krljic in Jazzin‘ RS about WISSEL&LYTTON @ Ring Ring Festival\, Belgrade\, Serbia \n\nGefördert von: \n        \n\nSeit den 1990er Jahren hat sich Georg Wissel vor allem auf den Bereich der zeitgenössischen Improvisierten Musik spezialisiert.\nAngeregt durch die Zusammenarbeit mit Musikern und Komponisten der aktuellen elektronischen Musik\, nimmt\, neben der klanglichen Erforschung durch erweiterte instrumentale Spieltechniken\, die Suche nach gänzlich neuen Klängen mittels Präparationen einen großen Raum ein und ist mittlerweile ein integraler Bestandteil seiner Arbeit als Instrumentalist.\nInternationale Konzerttätigkeit in Clubs und auf Festivals in Europa\, Nahost\, Amerika\, Australien und Asien Solo und zusammen mit namhaften Vertretern des Genres (u.a. Liz Allbee\, Burkhard Beins\, Nicolas Collins\, Gunda Gottschalk\, Lou Grassi\, Michael Griener\, Carl Ludwig Hübsch\, Thomas Lehn\, Jerome Noetinger\, Tim Perkis\, Melvyn Poore\, Gino Robair\, Richard Scott\, Rie Watanabe\, Simon Rummel Ensemble\, Ensemble hand werk\, London Improvisers Orchestra …\nCD- und Rundfunkproduktionen\nCreative Sources\, Umlaut records\, Acheulian Handaxe\, FreeElephant\, Umland records\, nurnichtnur\, WDR\, Radio Bremen\, BR\nhttps://georgwissel.wordpress.com/\nwww.soundcloud.com/georg-wissel \n„Wissel plays alto and tenor in the course of these seven concentrated instances of outward bound saxophonics\, recorded before an audience in Cologne last September. Navigation is an apt metaphor. These waters are scarcely uncharted these days\, but they remain hazardous\, posing risks through shallows of cliche and reefs of formlessness. Wissel not only carries an impressive cargo of once exotic techniques\, he also steers an assured and efficient course. Overtones and multiphonics are incorporated as the stuff of the music rather than tacked on as arbitrary embellishments. It all makes sense and is the right length – less than 40 minutes\, enough to hold the imagination without draining it.“\nJulian Cowley\, THE WIRE (England) about Wissel’s solo-CD The Arte Of Navigation \nPaul Lytton – Gb\, Drums\, Percussion\, Live Electronics\, Home-Made Instruments\nBorn 1947 in London. Studied drums privately from age of 16.\nPlayed dance music and then introduced to jazz. Played with many of the jazz fraternity in London from ’66 to ’69\, at the same time took private tabla lessons from P.R. Desai for about 5 years.\nBecame interested in European improvised music end ’69 through contact with musicians such as Evan Parker\, Tony Oxley and Derek Bailey.\nDeveloped own instrumentarium including home-made drums and amplified instruments and objects.\nFounder member of the London Musician’s Co-op.\nPlayed on the London Improvisors‘ scene from ’70 till ’75.\nFounder member of the Aachen Musicians‘ Co-op in ’76.\nOver the years has free lanced on the European scene with most of the established players in different combinations.\nSolo work\, an exhibition of home-made instruments in Wuppertal in 1980\,\nSolo concerts; Tours\, concerts\, radio in Europe\, USA\, Canada\, Japan.\nRecordings:\nRepresented on Island\, Incus\, Moers\, Cramps\, Hohe Ufer Konzerte\, Horo\, Po Torch\, Uhlklang\, SAJ\, JND\, Bead\, Intakt\, ECM\, Leo Records\, CIMP\, Rastascan\, Maya\, Hybrid\, Emanem\, Wobbly Rail.\nTHE PERCUSSIONIST’S WORLD has expanded further and further while remaining\, essentially\, the same: (s)he uses the raw materials that percussionists have used since\nmusic began\, but the methods and combinations of methods have evolved to the most all-embracing lengths. A percussionist can use almost anything. Paul Lytton has for\nmany years added the extra dimension of ‚live electronics‘ to his operations with percussion. The results are unique. He doesn’t so much abolish timekeeping as recreate\ntime in a still\, huge space; great masses of tone and structure seem to hang in the air. It’s a disquieting experience.\nR. Cook \n  \n\nPaul Lytton – table top percussion\, bits and pieces\nGeorg Wissel – saxophones & preparations \nPlease read our infos concerning concerts with an audience during the Corona pandemic here. Information about prices\, ticket reservations and our opening times can be found here \nWISSEL&LYTTON began their collaboration as a duo in 2006\, after they had already gotten to know and appreciate each other in various large formations.\nWissel uses a wide variety of utensils to prepare his instruments in addition to extended playing techniques\, while Lytton arranges and brings to life his trove of carefully selected sound generators from household and percussion on his ‚table‘.\nThus WISSEL&LYTTON’s set-up definitely has the character of an acoustic workshop.\nThe duo plays without predetermined concepts or arrangements.\nThe listeners become equal witnesses of an associative artistic process\, in the course of which a differentiated noise-sound-art-music is created with as much pleasure in sound as sensitivity. \n„Wissel’s and Lytton’s set in belgrade was pretty mental. It’s amazing they keep their faces straight while playing such dense\, absurdist music. Free improv that makes any sound\, no matter how random\, become part of their set? Yes please!“\nMeho Krljic in Jazzin‘ RS about WISSEL&LYTTON @ Ring Ring Festival\, Belgrade\, Serbia 
URL:https://www.loftkoeln.de/event/wissellytton-science-friction-of-flow-live-recording/
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