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SUMMARY:Kimmig Studer Zimmerlin Electric Trio feat. John Butcher | live recording
DESCRIPTION:John Butcher – Tenor- & Sopransaxophon\nHarald Kimmig – Violine\nDaniel Studer – Bass\nAlfred Zimmerlin – Cello  \n\n(english: see below) \nAb Januar 2024 beginnen alle Konzerte im LOFT um 20.00 Uhr.\nAusnahmen – z.B. Sonntags – sind möglich.\nWeitere Informationen zu den Preisen\, Karten-Reservierungen und den Öffnungszeiten finden Sie hier.\n\nKimmig Studer Zimmerlin Electric Trio feat. John Butcher © Jean-Claude Sarrasin\nhttp://www.kimmig-studer-zimmerlin.ch/index2.php?menu=trio-butcher \nHuddersfiels Contemporary Music Festival 2016:\n…radically inventive music came courtesy of saxophonist John Butcher and Trio Kimmig–Studer– Zimmerlin. The skill and subtlety displayed in this concert was\, frankly\, amazing\, with a recurring sense of “how did we get here?” due to the incredibly organic way they gently massaged and manoeuvred musical sounds and materials. Even when focussing more intently on moment-by-moment events\, it was still hard to pinpoint exactly where things began to shift and evolve. Anyone with doubts concerning the veracity of improvisation in comparison to pre-composed music would have had them instantly dispelled. It was a real privilege to see four musicians in such complete control of their instruments\, displaying utmost technical and compositional maturity yet with an omnipresent sense of play.…\nSimon Cummings\, 2016 \nBei den diesjährigen «Konfrontationen» in Nickelsdorf spielte Butcher gemeinsam mit dem Streichertrio\, bestehend aus Harald Kimmig (Violine)\, Alfred Zimmerlin (Violoncello) und Daniel Studer (Kontrabass). Er fugte sich mühelos in den Gruppenklang ein und entlockte seinen Holzblasinstrumenten Töne\, die den Zuhörer immer wieder vor die Frage stellten\, welches der vier Instrumente jetzt für welchen Klang verantwortlich sei. Eine gelungene Kooperation\, die spontan entstanden war und vielleicht gerade deshalb so gut funktionierte.\nHolger Pauler\, Neue Zeitschrift für Musik 1_2016 \n…Harald Kimmig\, Daniel Studer\, Alfred Zimmerlin and John Butcher. This powerful chamber ensemble with its incredible drive and a congenial combination of strings and saxophone was responsible for many of the highlights of the Konfrontationen Festival 2015…\nFreistil Nr. 62\, 2015 \nThe Trio Kimmig-Studer-Zimmerlin – augmented here by saxophonist John Butcher – left a particularly lasting impression. The group delivered a wild – at times threatening – performance. The musicians frequently abandoned the classical realm\, with the cello and violin often serving as a rhythm section\, while the double bass assumed a role as a solo instrument. The playing techniques were also extended. The strings were bowed\, pulled\, struck and scratched – the entire instrument\, from neck to tailpiece\, was used as a resonating body. John Butcher complemented the trio perfectly. As a master of circular breathing and overblowing techniques\, he managed to elicit tones that sounded as if they had been made by a woodwind instrument\, which sometimes had listeners asking themselves which instrument was responsible for a particular sound.\nHolger Pauler\, NMZ – Neue Musikzeitung\, 22. 8. 2015\, Hot Sounds and a Utopian Spirit at the 36th Konfrontationen Festival in Nickelsdorf \n\n\nKlingt so: \n\n\nGefördert von:\n\n \n  \n\nJohn Butcher – tenor & soprano saxophone\nHarald Kimmig – violine\nDaniel Studer – bass\nAlfred Zimmerlin – cello\n \nFrom January 2024 on\, the concerts at the LOFT start round 8.00 pm\nExceptions – e.g. on Sundays – are possible.\nFurther information about prices\, ticket reservationsand our opening times can be found here.\nhttp://www.kimmig-studer-zimmerlin.ch/index2.php?menu=trio-butcher \nHuddersfiels Contemporary Music Festival 2016:\n…radically inventive music came courtesy of saxophonist John Butcher and Trio Kimmig–Studer– Zimmerlin. The skill and subtlety displayed in this concert was\, frankly\, amazing\, with a recurring sense of “how did we get here?” due to the incredibly organic way they gently massaged and manoeuvred musical sounds and materials. Even when focussing more intently on moment-by-moment events\, it was still hard to pinpoint exactly where things began to shift and evolve. Anyone with doubts concerning the veracity of improvisation in comparison to pre-composed music would have had them instantly dispelled. It was a real privilege to see four musicians in such complete control of their instruments\, displaying utmost technical and compositional maturity yet with an omnipresent sense of play.…\nSimon Cummings\, 2016 \nAt this year’s “Konfrontationen” in Nickelsdorf\, Butcher played together with the string trio consisting of Harald Kimmig (violin)\, Alfred Zimmerlin (cello) and Daniel Studer (double bass). He blended effortlessly into the group sound and elicited tones from his woodwind instruments that repeatedly left the listener wondering which of the four instruments was responsible for which sound. A successful collaboration that was spontaneous and perhaps that is why it worked so well.\nHolger Pauler\, Neue Zeitschrift für Musik 1_2016 \n…Harald Kimmig\, Daniel Studer\, Alfred Zimmerlin and John Butcher. This powerful chamber ensemble with its incredible drive and a congenial combination of strings and saxophone was responsible for many of the highlights of the Konfrontationen Festival 2015…\nFreistil Nr. 62\, 2015 \nThe Trio Kimmig-Studer-Zimmerlin – augmented here by saxophonist John Butcher – left a particularly lasting impression. The group delivered a wild – at times threatening – performance. The musicians frequently abandoned the classical realm\, with the cello and violin often serving as a rhythm section\, while the double bass assumed a role as a solo instrument. The playing techniques were also extended. The strings were bowed\, pulled\, struck and scratched – the entire instrument\, from neck to tailpiece\, was used as a resonating body. John Butcher complemented the trio perfectly. As a master of circular breathing and overblowing techniques\, he managed to elicit tones that sounded as if they had been made by a woodwind instrument\, which sometimes had listeners asking themselves which instrument was responsible for a particular sound.\nHolger Pauler\, NMZ – Neue Musikzeitung\, 22. 8. 2015\, Hot Sounds and a Utopian Spirit at the 36th Konfrontationen Festival in Nickelsdorf
URL:https://www.loftkoeln.de/event/kimmig-studer-zimmerlin-electric-trio-feat-john-butcher-live-recording/
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