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Dave Rempis / Jasper Stadhouders / Frank Rosaly

Sonntag 2. April 2017 - 20:30

Dave Rempis – saxophones
Jasper Stadhouders – guitar
Frank Rosaly – drums


20170402This new transatlantic grouping brings together musicians from Chicago and Amsterdam in a sympathetic trio lineup.  Rempis and Rosaly – two stalwarts of the Chicago scene, have worked together for over fifteen years in their duo pairing, and in the Rempis Percussion Quartet.  The two met Stadhouders for the first time at the Moers Festival in 2009, and immediately recognized a young musician with an incredible attitude and and drive.  Since that time, the three have crossed paths regularly, with Rempis appearing intermittently with Stadhouders‘ group Cactus Truck, and Rosaly recently relocating to Amsterdam, where Stadhouders has become one of his most frequent sparring partners.  All three have also toured together with Ingebrigt Haker Flaten’s sextet. This new more streamlined and flexible lineup promises to create some serious sparks.


Dave Rempis was born in Wellesley, Massachusetts on March 24th, 1975. He began his musical studies at the age of 8, inspired by a family friend who played clarinet in local Greek bands, and by Zoot, of the Muppets Band, to pick up saxophone. During high school he performed in his town, district, and all-state bands and wind ensembles, as well as in a jazz combo at a local music school.

In 1993, Rempis began a degree in classical saxophone at Northwestern University with Frederick Hemke. Finding this environment stifling, Rempis quickly ditched the music degree to pursue studies in anthropology and ethnomusicology. As part of these studies, he spent a year at the International Centre for African Music and Dance at the University of Ghana, Legon, studying African music and ethnomusicology. He also continued to perform with many different types of groups, ranging from highlife and reggae bands while in Ghana, to jazz, free jazz, funk, and contemporary music ensembles at home. He graduated from Northwestern in 1997.

Upon graduating, Rempis decided to focus on performing, and in March of 1998 at the age of 22 was asked to replace veteran saxophonist Mars Williams in the well-known Chicago jazz outfit The Vandermark Five. This opportunity catapulted him to notoriety as he began to tour regularly throughout the US and Europe playing clubs, concert halls, and festivals on both continents.

During his tenure with The Vandermark Five, Rempis also began to develop the many Chicago-based groups and international collaborations for which he’s currently known, including The Rempis Percussion Quartet, The Engines, Ballister, Rempis/Abrams/Ra, Wheelhouse, The Rempis/Rosaly Duo, and  The Rempis/Daisy Duo. Many of these groups have been documented on the Okkadisk, 482 Music, Not Two, Clean Feed, Solitaire, and Utech record labels.  Past collaborations have included performances with Paul Lytton, Axel Dörner, Peter Brötzmann, Hamid Drake, Steve Swell, John Tchicai, Roscoe Mitchell, Fred Anderson, Kevin Drumm, Paal Nilssen-Love, Nels Cline, Tony Buck, and Joe McPhee. Rempis has been named regularly since 2006 in the annual Downbeat Critics’s Poll as a “rising star” on alto saxophone, and as a “rising star” and “established talent” on baritone saxophone.

Aside from performing, Rempis is also active as a presenter. Since 2002, he’s curated a weekly Thursday-night concert series for the Elastic Arts Foundation. The series has featured over 500 concerts by some of the best improvisers from around the world, while maintaining a focus on up-and-coming local musicians. In late 2005, Rempis helped form the presenters’ collective Umbrella Music, working with a small group of musicians and presenters in Chicago to provide better playing opportunities for creative and improvising musicians. As part of this group, he organized the annual Umbrella Music Festival from 2006-2014.

Rempis is also one of the main organizers of the indie-rock Pitchfork Music Festival, a 60,000-person event which takes place in Chicago’s Union Park every July.

daverempis.com


Jasper Stadhouders (Tilburg, the Netherlands, 1989) is a guitarist and bassist based in Amsterdam.  He’s performed music on stage since the age of 8.  He is an active member of the international improvised music circuit.  He is a co-founder of the bands Cactus Truck (with John Dikeman and Onno Govaert), Stadhouders/Govaert/De Joode Trio and two duos with percussionists Dag Erik Knedal Andersen and Nicolas Field.  He is also part of such diverse bands as Spinifex and Lily’s Déjà Vu, next to playing countless of ad hoc improv shows.  Jasper also occasionally works in the fields of dance, theatre and contemporary composed music. He has played with Han Bennink, Ab Baars, Paal Nilssen-Love, Marshall Allen, Wolter Wierbos, Noel Redding, Ken Vandermark, Jim Black, Andrew D’Angelo, Terrie Ex, Andy Moor, Peter Evans, Frank Rosaly, Dave Rempis, Roy Campbell, Michael Moore, Jeb Bishop, Peter Jacquemyn, Wally Shoup, Ingrid Laubrock, Mars Williams, Michael Vatcher, Alan Wilkinson and many more.  Jasper has performed extensively in Europe and the USA, as well as in India.

“They possess enough mastery of extended technique — as when Stadhouders switches to what sounds like mutant slide guitar — to create a sonic variety show.”
Dave Lynch, Allmusic.com

jasperstadhouders.wordpress.com/about


Frank Rosaly (Francisco Javier Rosaly Amoros Rosello – b. 5/30/74 Phoenix, AZ) is a drummer and composer living in Chicago. He has been involved in the improvised and experimental music community since 2001 where he has become an integral part of Chicago’s musical fabric, navigating a fine line between the vibrant improvised music, experimental, rock and jazz communities. He contributes much of his time to performing, composing, teaching, as well as organizing musical events, while also touring regularly domestically and internationally.

Frank is currently active in many projects throughout Chicago as well as New York and in Europe. Some groups include Bobby Bradford/Frode Gjerstad Quartet, Matana Robert’s Chicago Project, Rob Mazurek’s Mandarin Movie, The Rempis Percussion Quartet, Ingebrigt HakerFlaten Quintet, Scorch Trio, Nicole Mitchell Ice Crystal Quartet, Jason Stein Quartet, Jeff Parker/Nels Cline Quartet, Josh Abrams‘ Natural Information Society, Fred LonbergHolm’s Valentine Trio, Keefe Jackson’s Project Project, The Fast Citizens, The Jeb Bishop Trio, Jason Adasievicz’s Rolldown, Jorrit Dijkstra’s Flatlands Collective, Chicago Lucern Exchange, Hearts and Minds, Slow Cycle, Outskirts, Darren Johnston’s Chicago Quintet, Anchor and others.

Some performances in the recent past include collaborations with Bobby Bradford, Frode Gjerstad, Jeff Parker, Thurston Moore, Peter Brotzmann, Tony Malaby, Roscoe Mitchell, Anthony Coleman, Paul Flaherty, Marshall Allen, Louis Moholo, Nels Cline, Eric Boeren, Ken Vandermark, Michael Zerang, Walter Weirbos, Joan of Arc, White/Light, Fennesz, David Daniell, Rhys Chatham, Doug McCombs, Michael Attias, Michael Moore, Jaap Blonk and Colin Stetson, among many others.

Rosaly
’s sextet, Cicada Music features James Falzone (cl), Jason Stein (bcl) and Keefe Jackson (cbcl), Jason Asasiewicz (vb), and Jason Roebke (b) performing music inspired by the cinematic experience. Frank also leads Green and Gold, a quintet featuring Cameron Pfiffner (reeds), Nick Mazzarella (alto), Tomeka Reid (cello) and Anton Hatwich (bass) exploring the music collaborations of Prince Lasha and Sonny Simmons.

He is also involved in a solo project called Milkwork: a study in integration of electronically manipulated percussion instruments, improvising dense sound walls with controlled feedback, overdriven amplified drums. Frank blends sound scapes designed through analog electronic synthesis with extended techniques on unamplified drum set. Frank also studies cymbal hammering, and utilizes his hammering experiments with this project.

Frank organizes and coordinates the Ratchet Series, along with Nick Mazzarella, Anton Hatwich and Kate Dumbleton to showcase creative music in an intimate house concert setting in Chicago. Frank is also faculty at the Old Town School of Folk Music.

Frank earned a performance degree from Northern Arizona University. He has studied with Billy Higgins, Peter Donald, Bob Moses, Joel DiBartolo, Dom Moio, Steve Hemphill, Robert Schulz, Michael Vatcher and with the staff at the Jazz Record Mart.

rosalywelcome2.blogspot.de